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Placement

Centerpieces for a round table

A round table has no head. Every guest looks across the middle of it, so the centerpiece has to earn the center — which is why ours is built low and wide rather than tall and narrow.

48, 60 or 66 inches

The centerpiece is made for a round table of 48 to 66 inches, and for a large coffee table between dinners. Those three sizes are not interchangeable — they seat different numbers of people, and the number of people is what decides how much of the table the flowers may take.

Three round tables drawn to scaleA 48-inch round table with four seats, a 60-inch round with eight seats, and a 66-inch round with nine seats, each drawn to the same scale so their sizes can be compared.48″4 at the table60″8 at the table66″9 at the table
Drawn to scale. Seat marks show the comfortable count, the number a caterer would set.
Round tableSeats comfortablyAt a push
48 inches46
60 inches810
66 inches9–1011

Seat counts are the catering convention, not a measurement of ours. The 60-inch round is the one most dinners end up with.

Why it stays low

On a round table the sightline runs through the center. A tall arrangement does not decorate the middle of the table, it interrupts it — two guests opposite each other end up leaning to see past it, and the table quietly splits in two. A low arrangement leaves the conversation intact and still holds the center.

That is the shape of the piece: a lush, low profile of oversized golden chrysanthemums, white Phalaenopsis orchids and burgundy-and-gold Oncidium orchids in a burnished gold low bowl. The width is what carries the table; the height is deliberately absent.

It is also why the piece travels. The same arrangement that held a 60-inch round on Saturday sits on a large coffee table on Sunday, where the constraint is different but the answer is the same.

When the table is smaller than the piece

Below 48 inches — a breakfast table, a bistro table for two — a piece this wide takes more than its share of the surface. The oval vase arrangement is the smaller answer: an oval vase holding golden chrysanthemums, punctuated by the fluid elegance of white Phalaenopsis orchids, at a third of the price.

And a round table is not the only place these pieces live. The tower is not a table piece at all — it belongs on a credenza, a bar, a buffet or a reception desk, where there is a wall behind it and no one sitting across from it.

If the table is long rather than round

A long table wants rhythm, not repetition. One large arrangement in the middle and a row of identical ones down the length reads as a hotel banquet. The better arrangement alternates: a low piece, then single stems in bud vases at each place, then the low piece again — so the eye moves down the table instead of stopping.

The pieces in this guide

One hand. Every stem.

Composed at the atelier, delivered by hand

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